AD–WO

Exhibition design for Sightlines on Peace, Power & Prestige: Metal Arts in Africa.

በአፍሪካ የብረታ ብረት ጥበብ ላይ ያተኮረ የኤግዚቢሽን ዲዛይን።

Extraction gallery, looking through to Otobong Nkanga's tapestry titled 'Double Plot', 2018.

Building section showing casework across three floors

View into the Extraction gallery from the lobby

A crown for Ògbóni/Òsùgbó leader, Yoruba artist, 19th Century

Lubaina Himid, Drowned Orchard, Drowned Orchard: Secret Boatyard, 2014.

Amanda Williams, Semper Augustus Chicagous, 2022, in the Currency gallery.

Kapwani Kiwanga, Sisal #3, 2021 (background), and White Gold II, 2016, in the Speculative Architecture gallery.

Julia Phillips, Observer II, 2020, looking through the wall of the Embodying Power gallery at Zohra Opoku's Bob's Cloth, 2017.

Type: Exhibition Design. Client: Bard Graduate Center. Curator: Drew Thompson. Location: New York City. Year: 2023-2024. AD—WO Team: Jen Wood, Emanuel Admassu, Gene Han, Yasmine El Alaoui El Abdallaoui. Fabrication and Installation: Southside Design and Building. Graphic Design: Grey Studio & Jocelyn Lau. Photography: Da Ping Luo.

ዓይነት: የኤግዚቢሽን ዲዛይን. ደንበኛ፡ ባርድ የምረቃ ማዕከል። አዘጋጅ: ድሩ ቶምፕሰን. አካባቢ: ኒው ዮርክ ከተማ. ዓመት፡ 2023-2024 AD—WO ቡድን፡- ጄን ዉድ፣ አማኑኤል አድማሱ፣ ጂን ሃን፣ ያስሚን ኤል አላኦኢ ኤል አብዳሎዊ። ማምረቻ እና ተከላ፡ የሳውዝሳይድ ዲዛይን እና ግንባታ። ግራፊክ ዲዛይን፡ ግሬይ ስቱዲዮ እና ጆሴሊን ላው ፎቶግራፍ፡ ዳ ፒንግ ሉኦ።

Two Markets

Bole Rwanda

Ghebbi

Merkato Tapestry

Sightlines

Light Industry

100 Links

The Back Room

Immeasurability